GET A HORSE (Walt Disney Animation Studios, USA - Hand-drawn and CGI in glorious black and white!) The first Disney animated film in 90 years ever to be conceived and directed solo by a woman: Lauren MacMullen. 2D animation by Eric Goldberg, CGI animation by Adam Green. FERAL 2013 Annecy winner – CGI Directed, written and animated by Daniel Sousa, who teaches at the RISD MR. HUBLOT (Zeilt Productions, Luxemburg - CGI) Director: Laurent Witz, Alexandre Espigares Animators: Mickaël Coedël, David Carrière POSSESSIONS(Sunrise Inc., Japan) – Another mix of CGI and hand-drawn) POSSESSIONS is part of the film anthology SHORT PEACE. Director: Shuhei Morita ROOM ON THE BROOM (Magic Light Pictures, UK) BAFTA winner – CGI Directors: Max Lang, Jan Lachauer Writer: Julia Donaldson
FIVE FEATURES: THE CROODS (DreamWorks, USA - CGI) Director: Chris Sanders, Kirk DeMicco Writers: Chris Sanders, Kirk De Micco Is it just me or are these characters too polished and shiny and inflated-looking to be charming? It's not as if Chris Sanders can't do beautiful and charming, just watch LILO & STITCH and LION KING. Why do DreamWorks animated features almost always lack charm, style and beauty? Iconoclasm doesn't have to be ugly, Jeffrey. DESPICABLE ME 2 (Universal/Illumination Entertainment, USA - CGI) Directors: Chris Renaud, Pierre Coffin Writers: Cinco Paul, Ken Daurio These characters are beautifully designed and have oodles of wit and charm. The colors, backgrounds, animation, camera angles and acting are terrific. Good luck. ERNEST ET CELESTINE (StudioCanal, France – hand-drawn: see the Making Of) Directors: Benjamin Renner, Stephane Abier, Vincent Patar. Writer: Daniel Sennac Soft watercolors, hand-drawn animation. Charming, cute, over-the-top acting, not bad Flash animation. Lovely for small children. Doesn't stand a chance. FROZEN (Disney, USA - CGI) Directors: Chris Buck, Jennifer Lee Writers: Jennifer Lee Was it that the “Frozen”soundtrack was No. 1 on Billboard’s album chart or was it the Polar Vortex that made this film so popular? Or was it the new snowy software "Matterhorn" and "Snow Batcher", or the beautiful design and animation, or the first female co-director/writer on a Disney feature?
If FROZEN wins, it will be the FIRST Best Animated Feature won
by Disney since the category was created in 1992.
THE WIND RISES (Studio Ghibli, Japan) Director: Hayao Miyazaki Writer: Hayao Miyazaki This is Miyazaki's 11th and final film based on his manga of the same name. Exquisite design (except for those ghastly eyes and mouths), lovely colors, marvellous direction and hand-drawn animation. Could this manage a last-chance, sentimental win despite its controversial content? *
LOVE or RELATIONSHIP - Something that sounds like a medical emergency but is, by far, the best feeling in the world is not a "relationship".
WOULD YOU READ A NOVEL SET IN THE ANIMATION INDUSTRY? - take a look through the eyes of an animator at a wonderful, complex art. WHY WE LOVE STORIES- We need all the ideas we can get about life and survival and how other people do it so we can keep up, surpass or simply marvel at the ingenuity, inventiveness, idiocy or dirty rotten evil of our fellow humans. THE POWER OF A PICTURE - Many readers and maybe agents/publishers too, seem to see any cartoon as puerile and gormless and anyone represented by one as a nitwit. So, goodbye avatar Lisa. AUTHOR PHOTOS - Why do photographers pose writers with their hand(s) hovering awkwardly around their face? How often do we do this in real life? Almost never. LOVABLE LITERARY CHARACTERS- An unbold publisher is like a jailer, keeping unpublished characters prisoner in their pages, unable to entertain and enlighten readers. THE POWER OF AN OUTLINE GRID - Being able to place plot points exactly where you want them makes writing faster and easier. PIMPING LITERATURE - Why not have a book award show with witty presenters, famous writers reading scenes, a live orchestra and lavish dance numbers based on excerpts from best-sellers? WRITERS READ BY ACTORS- Two groups of professional actors who will read a writer’s text for her: SWEET in New York and LIARS’ LEAGUE in London, NY, Hong Kong, Leeds. DISNEY ANIMATION 2013- As Lasseter himself said, nobody wants to see BAD hand-drawn animation but they do still want to see hand-drawn animation. *